Italian Performance Cars Archives

Lamborghini Countach

The Lamborghini Countach was styled by Bertone – Italian masters of automotive design. In its first incarnation, the Countach flew to a top speed of 186mph. That was exceptionally quick in the Seventies. Its engine – a classic Lamborghini V12 – produced 375bhp. Again – in the 1970s – that was a gargantuan stat. The models that followed output still more power.

Handling-wise, too, the Countach was well up to snuff. Mid-engined as it was, its gearbox was at the front – nestled snugly beneath the banana seats. Weight distribution was optimised. As a consequence, the Countach’s cornering capabilities soared. A 5-speed set-up only added to the fun!

Countach is a Piedmontese exclamation/expletive. In its mildest form, it means ‘wow’ – though it can have fruitier connotations! Certainly, the first definition was more than apt. Later versions of the Countach, though, somewhat over-egged the stylistic pudding. Pointless spoilers – and over-sized wheel-arches and ducts – bordered on the kitsch. To be fair, by the time such models hit the showrooms, the firm’s founders were no longer at the helm. Financially, it found itself in choppy waters. Latter-day faux pas notwithstanding, it was largely down to the Countach that Lamborghini stayed afloat. When it made its début – in ’74 – the Countach stunned show-goers. Lamborghini’s rivals were left reeling. In a way – over the course of its run – the Countach summed up the Seventies. Insomuch as it was a decade which could veer wildly between masterpiece and parody!

Lancia Delta HF Integrale

It would be difficult to overstate the impact made by the Lancia Delta HF Integrale. It swept aside all comers – on the road and in competition. In the year and a half following its ’87 launch, the Delta Integrale won 14 World Championship rallies. Miki Biasion made the most of its dominance. He garnered two world drivers’ titles in the car.

The Integrale’s 8-valve engine made 185bhp. In ’89, it was replaced by a 16-valve head. Power increased to 200bhp. The new model totted up 13 top-echelon rally wins. Juha Kankunnen duly took the ’91 drivers’ title. Over time, the fruits of such success trickled down to the showrooms. The road-going Integrale’s finely-tuned 4-wheel-drive set-up gave good handling – in all conditions. Combine that with a 2-litre turbocharged motor – and you had a perfect blend of speed and precision. As a hatchback, practicality was a given. But, there were luxuries, too. Like Recaro seats, electric front windows and a cutting edge instrument panel.

Wide wheels and fat tyres helped give the Integrale a look of purposeful muscularity. Giorgetto Giugiaro – at the Italdesign agency – did the styling honours. The bodywork was minimalist, not boxy! The original Delta – built for rally homologation reasons – was first glimpsed at ’79’s Frankfurt Motor Show. It was followed by a Delta dynasty of progessively more sophisticated models. Lancia’s HF acronym stood for High Fidelity. It was applied to several of the marque’s cars over the years. Never more fittingly, though, than to the Delta Integrale!

Lamborghini Murciélago

The Lamborghini Murciélago was styled by Belgian Luc Donckerwolke. He had been chief designer at Audi – which, in ’98, was taken over by Lamborghini. Traditionally, the latter had recruited Italian design houses. On that basis, Bertone were briefed to create the new car. And indeed, their work was ready to go into production. At the last, though, the Bertone project was canned. The design reins were duly passed to Donckerwolke.

When the Murciélago was launched, it was with no lack of fanfare. Sicily’s Mount Etna provided the backdrop. The accompanying son et lumière show was equally spectacular – including, as it did, a volcanic eruption. Well, a virtual one, at any rate!

Designer Donckerwolke decked the car out in razor-sharp lines. Bodywork was carbon-fibre and steel. The chassis was fashioned from high-tensile tubing. Given the supercar’s shape, a low drag coefficient was a gimme. As a result, top speed for the Murciélago was a searing 205mph. 0-60 appeared in 3.85s. Notwithstanding, steady torque delivery – and electronic engine management – rendered the car relatively tractable. Suspension and brakes were, naturally, state of the art. Late in the day though it had been, Lamborghini’s decision to give the design gig to Luc Donckerwolke paid off. The Murciélago exhibited plenty of Italian flair … as well as a dash of Belgian panache!

Ferrari California

The Ferrari 250 California – released in ’57 – was one of the most iconic cars ever created. A tad over half a century later, came another California. Designed by Pininfarina, seamless aerodynamics were key to the new car’s styling. And the 2008 California was light. Both chassis and body were aluminium.

The F1-style steering-wheel featured Manettino dials. They modulated the gearbox, suspension and traction-control settings. The latter came in the form of the F1-Trac set-up. Should those systems’ limits still be exceeded, an automatic roll bar was deployed. As well as front and side airbags. The California could be set to Comfort or Sport mode, too. At track-days, however – or, indeed, at any other time – the safety controls could be switched off. Apart from ABS braking, that is.

Ferrari’s 4,300cc V8 engine made 460bhp. That catapulted the California to 193mph. Torque was on tap from way down low. The 7-speed semi-automatic transmission saw to that. Unlike some supercars, the California’s cabin was roomy and comfortable. There was a retractable top. And plenty of luggage-space was provided. So, the Ferrari California was built for speed. To that extent, it echoed its fabled 250 predecessor. But – in common with that design classic – it was kitted out for cruising, too, if required.

Ferrari F50

How to top the Ferrari F40? Well, with the Ferrari F50, of course! While the former was focused solely on speed, the new car offered more by way of creature comfort. Even so, the F50 was far from luxurious – given that it was a supercar, retailing at £330,000. There were leather seats, though, for starters – of course, cast from carbon-fibre. And, the front suspension spring/damper set-up was transverse – allowing extra leg-room. The F50’s ride was smooth, considering its performance stats. They were upped by a ‘firm’ computerised damping system. A V12 engine – and 6-speed gearbox – gave up tractable power. Precise steering was provided by titanium uprights, magnesium wheels and all-metal ball joints.

So, with a top speed of 202mph – and lightning-quick reflexes – the F50 was, effectively, a road/race hybrid. Its 5-litre motor made 521bhp. The 5-valves-per-cylinder V12 had its roots in F1 – in 1990’s Ferrari 641/2. Saying that, peak revs for the road car were 8,500rpm. Rather less than the 14,000 for the GP car! Still – with chain-drive spinning its quad overhead camshafts – the sound from the roadster was still pretty ear-splitting! By contrast, the F1 car’s engine used gears.

The Ferrari F50, then, was technically awesome. Naturally, it needed styling to match. Up to the plate stepped Pininfarina. The esteemed Italian design house unveiled a feast of tastefully-placed lines. Ducting was particularly delicious. Cowled projector headlights lit up the front-end. Inside, the LCD instrument panel was straight out of F1. A ‘black box’ flight recorder was also included! Track days inevitably beckoned – brakes and suspension both being race-derived. 349 Ferrari F50s were built. All they needed was a road with enough scope!

Ferrari F40

The F40’s name referenced forty years of the Ferrari marque. It was boss Enzo Ferrari’s brainchild … but, even he had to get board approval! Once given, the project was passed to Pininfarina. The doyen of Italian design agencies had a longstanding relationship with Ferrari. Just a year passed for the F40 to go from concept to production. It helped that it was based on the Ferrari 288 GTO. Theoretically, then, the F40 was a roadster. Practically, though, it required little modification to go racing. In large part, that was down to its weight – or lack of it. For a car that cost $275,000, there was a notable lack of luxury. Indeed, the cabin verged on the spartan!

The F40’s low weight was down to its bodywork. Composite materials had been used to fashion it. They were 20% lighter than their metallic counterparts would have been. That – and minimal interior décor – meant the F40 weighed in at just 2,425lb. Add a 288 GTO V8 engine – and the result was explosive! The 3-litre twin-turbocharged set-up was fitted with sequential ignition and fuel injection. There were silver/cadmium con-rod bushes and nicasil-coated liners. Grand total – 478bhp. ‘Competition mode’ threw in a further 200bhp, if needed.

The F40 topped out at 201mph. 0-60 arrived in 3.9s. On its ’87 launch, it was the fastest road-going Ferrari yet. It stayed in production until ’92. Even the standard version featured a raft of competition parts. It had Group C brakes, 3-piece wheels and removable rear bodywork. Oh, and soft fuel cells. The racing pedigree of the Ferrari F40 was clear to see!

Italdesign Aztec

The Italdesign Aztec came with dual cockpits. A 2-seater, driver and passenger were ensconced in separate ‘compartments’. It was a concept car, after all! The Aztec was made to commemorate Italdesign’s twentieth anniversary. Its designers never envisaged it on the open road. A group of maverick Japanese businessmen, however, had other ideas!

Giorgetto Giugiaro was chief stylist for the Aztec. As a rule, his work was far from flamboyant. Indeed, he had penned many a family runabout. Who knows – maybe it was just time for him to let his creative hair down. At any rate, Giugiaro was immensely proud of the Aztec. And – certainly, from a visual point of view – it was nothing, if not striking. Slick and sophisticated – and with a silvery sheen – showgoers’ eyes were riveted. The Aztec’s rear end was seriously high-tech. Wrapped around the wheel arches were ‘service centre’ panels. They housed a raft of gizmos and gadgets. There were coded door locks, built-in hydraulic jack controls and engine fluid monitors – just for starters. Somewhat more down-to-earth features included a torch and fire extinguisher. Not forgetting a petrol cap! The Aztec’s interior was equally cutting edge. Communication between the two cockpits, for example, was via electronic headsets!

The Aztec’s engine was a 5-cylinder Audi unit – turbo-charged and transversely mounted. Transmission was Quattro 4-wheel drive. A dual-canopy body allowed easy access to the bay. The Aztec was unveiled in ’88 – at the Turin Motor Show. Among the enraptured onlookers were the aforementioned suits. They were sure there might be a market for the car back in Japan. With the rights to the Aztec safely in their pockets, they set about putting it into production. 50 replicas of the prototype were due to be built – though less than half that number would roll off the line. The bodies were made in Italy. They were then shipped to Germany. There, they were entrusted to engine tuners Mayer MTM – who installed the Audi powerplants. Finally, they arrived in Japan. When transportation costs had been factored in, the Aztec retailed at the yen equivalent of $225,000. That was a lot of money. Each car, though, came with an added extra. Giorgetto Giugiaro signed every Italdesign Aztec personally. He was indeed proud of his outré creation!

Pagani Zonda

As a boy, Horacio Pagani made supercars out of wood and clay. In adulthood, his designs would be fashioned from the most exotic of materials. They included carbon-titanium and carbon-fibre. An early spell at Lamborghini did his career no harm at all. Pagani worked for them as a junior mechanic. While there, he helped develop the Countach Evoluzione – the first car to be built around a carbon-fibre chassis.

In ’88, Pagani set up his own company. But the ties with Lamborghini were still strong. Pagani’s new firm did some development work for them – on composites for the Diablo and Countach Anniversary models. Increasingly, though, Pagani’s thoughts turned to a product of his own. In ’94, he and his team began work on a proprietary supercar. They duly sourced a V12 engine – from Mercedes-Benz. It was not until ’99, however, that the prototype was unveiled – at the Geneva Motor Show. Pagani had intended it be called the Fangio F1 – after one of the finest GP drivers ever to hold a wheel. Sadly, though – by the time it was finished – Fangio had died. Pagani then opted to call it the Zonda – after a wind which blows through the Andes mountains.

The Zonda C12 was suitably cutting edge. Mercedes’ V12 motor was placed behind the cockpit – driving the rear wheels. After being tuned by AMG, it delivered 542bhp. Top speed was 220mph. 0-60 arrived in 3.7s. Key to those speed stats was the carbon-fibre bodywork. Ultra-aerodynamic lines likewise played a part. C12s retailed at $320,000. Pagani turned out just ten or so a year. There have been several additions to the Zonda range since. Each has refined and improved upon the original. The boyhood toys Pagani made have long since turned to tinder and dust. His more mature creations, however, are still dazzling onlookers the world over!